after the huge success of their first collaboration, doorly and el prevost are back for part two: this time the world touring doorly serves up a hot original that gets remixed by red rack‘em and el prevost, while el prevost also serves up an original of his own, all on his own no speakers label. the first ep, featuring a lee foss remix, got support form the likes of paco osuna, solomun and groove armada and this second instalment is set to be just as big this summer. doorly is a dance heavyweight who headlines clubs like space ibiza on his global travels, releases on cajual, hot creations and dirtybird and is no stranger to hitting high places in the charts with his big and infectious sounds. as a dj he is energetic and can make a mark on any dance floor, and so will this new tune, ’sonder.’ it is six superbly deep and atmospheric minutes of warm, rolling drums and searching synths that bring an intergalactic feel next to twinkling keys. jostling percussion brings a little loose funk and the whole thing is sure to lock in dance floors. el prevost then steps up to remix after 15 years of putting out killer cuts on labels like third ear. his music has made its way into the record bags of tastemakers like steve bug, dj hell and steffi and this excellent remix shows off his singular style again. it is a little tougher and more energetic than the original, with sprinkled hits, rumbling bass and pixelated synth lines dancing about up top. then comes red rack‘em, the bergerac boss who had a huge hit with ‘wonky disco bassline banger’ last year. it was one of the tracks of the year and has been followed by an equally brilliant album by this esteemed house veteran. his remix here is big, bouncy and off kilter thanks to its coarse hi hats and punchy rubber drums. great vocal treatment adds more wonkiness and broad synth strokes flesh things out into another sure-fire party starter that sounds like little else. last but not least, el prevost offers up a solitary state mix of his own ‘temper mental’. it’s a hugely inventive track with great synth modulations burrowing deep into your brain as dancing hi hats and whirring bass encourage you to cut loose and shift freaky shapes. this is a strong ep that really packs a punch across four standout tracks.

the album includes the most direct and propulsive shinoby material yet. there is a functional connection to dance music here, honing in on the celestial bliss s human element embedded within a sound fraught with inhumanity.the music is emotional, hostile, dark, grungy, dissenting, acidic and energetic. mostly based on repetitive patterns, the distorted yet perfectly balanced percussion drills through the concrete warehouse walls long into the night. the not occasional use of distortion brings the dense atmosphere to near suffocating limits.

180 gram black vinyl. a 16 track double vinyl greatest hits album originally released in 2004.

the 1995 debut album from d’angelo back on 180 gram double vinyl

ramrock records are proud to present the new album from musical visionary, ghetto priest. already known to many as the frontman of asian dub foundation and vocalist on their globally acclaimed single fortress europe , ghetto priest has been captivating audiences with his powerful vocals and magnetic stage presence over the past three decades. with a raw energy and spirit un-matched by many artists of his generation, he constantly pushes at the boundaries of roots music, his style strongly maintaining the essence of his jamaican heritage. produced by on-u sound supremo adrian sherwood.

the pop world lost one of the most important soul singers ever to grace the world on 1st april 1984. marvin gaye has left behind a series of fantastic hits plus a big handful of tracks which deserve the title of masterpiece, all collected on this album.
pressing on black 180 gram vinyl, housed in a gatefold sleeve including 4 page booklet with liner notes and photos.

pbr streetgang return with their first original material of 2017. a limited 300-only pressing on their own bespoke label, streetgang jams ‘late night party line will be the first single from the long-awaited pbr debut album set to be released in december 2017. a party banger for the discerning dance floor with a killer baseline, a seriously hooky diva vocal and a distinct whiff of 80s night club sleaze, this is one of the most distinctive and daring releases pbr have ever made. hot off the back of their acclaimed lost property releases, support and plays have come far and wide from paul woolford, bicep, gerd janson , midland, tensnake, man power, paramida and crazy p

that cyberpunk chameleon of styles, manchester’s pride and dancefloor master ruf dug is back on wax on copenhagen’s music for dreams. following up the first 12” of remixes that came out last year, we once again re-visit the island life of monsieur ruffy and his debut full length album “island” (recorded during a sojourn on guadeloupe). first up we have italians on the mix. hi-jacking ruffy’s tribute to wally badarou, leo mas and fabrice opt to do their own thing: which is churning out a bouncing house belter of their own that bears little resemblance to the original lo-fi synth reverie. closer to the original then, is fellow mancunian andi hanley’s take on the same track. adding sparse percussion and and a simple but effective drum beat, this take seems to simply be an uncovered second half of the original, where it finally takes off for the dancefloor. “mangrove dub” is reworked by fresh-on-the-scene aussie producer tropical hi-fi who creates a brilliant version full of moist ambient textures and reverb-heavy dub treatments. at last but definitely not least, seahawks turns the whimsical hippie folk ballad “le rayon vert” into a more intense and neatly dressed affair, focusing on the instrumental parts and lifting aside vocalist nev cotte’s contribution to the original. still with a mindful of tropical dreams and the ocean shore close at hand, but in a more introvert vini reilly kind of way. essential package.

180 gram heavyweight double vinyl pressing, cut from the 2007 remasters. housed in a gatefold sleeve, replicating the original album artwork.

6th release from nicolas and edunre lutz’s my own jupiter. spanish do or die brings the 9 floor bombs. a killer album !!!

gary brackley aka g.r.i.t returns to meanwhile afor his second full length vinyl release following on from 2012 s ahighly regarded and asought after as i look to to the sky. the seven new tracks presented here acould easily be described as a great dub techno album by the lazy hack but the sound palette used goes way beyond that, afusing elements from detroit, drone, industrial, and ambient techno which when coupled with his production techniques result ain a sound that is uniquely g.r.i.t atake opening title track difting from the bay which draws on the sounds of detroit with emotive chords and delicate percussion, or principle with deep distorted amodulations. if you want a adance floor cut alook no futher that expansed awhich grooves with driving chords, and asubtle persussive builds, aor for asomething heavier there is -pheonix- awhich would sound quite at home in any techno main room. tracks such piagga and dead faces balance heavy industrial beats and noises with meloncholy chords and pads to produce tracks of immense depth and feeling. and closing the album perfectly is immersion with mournful aambient works-esq achords and melodies, in which you will indeed find yourself drifting from the bay

*a hypnotic flute-led instrumental from singer, composer and genre-hopping multi-instrumentalist g.t. moore. * serengeti first appeared under g.t’s the outsider guise for rej forte s jah works label back in 1991 appearing on the long-deleted album the outsider meets the hi-tech roots dynamics at channel one uk’. *now appearing on 45 for the first time backed with a previously unreleased dub version. * yet another in-demand obscurity brought to you by the ever on-the-ball partial records

legacy recordings veröffentlicht unter dem titel a boy from tupelo: the sun masters ein 12- vinyl album, mit dem sich der weg elvis presleys zum king of rock and roll nachvollziehen lässt. es versammelt alle a- und b-seiten, die elvis für sun records einspielte sowie weitere im sun studio mitgeschnittene songs, die auf seinem bahnbrechenden debüt aus dem jahr 1965 zu hören sind. die songs wurden von sam phillips produziert und stammen aus der zeit zwischen juli 1954 und juli 1955. begleitet wird elvis natürlich von seinen unvergessenen mitstreitern, dem gitarristen scotty moore und dem bassisten bill black.

this is the vinyl format of tom brosseaus third full length for fatcat, after 2006s compilation of early material empty houses are lonely and 2007s critically acclaimed cavalier, which was produced by pj harvey collaborator john parish in one week. mice parades adam pierce and small sails ethan rose co produced and guest performed on posthumous success. ethan roses tracks were produced in portland, oregon, adam pierces in upstate ny. this album marks a noticeable sabbatical from the predominantly vocal and guitar / all acoustic recordings of previous records.

king tubbys music & dub store records veröffentlichen soundclash dubplate style pt. 2. das album beinhaltet 10 titel von verschiedenen künstlern.

in 1999, the duo of dj t-rock & squashy nice formed in atlanta. squashy nice is an accomplished beats producer, and dj t-rock is a scratch-master responsible for battle records on the likes of bomb hip-hop records, stereo-type, and replicant music trading corp. together they released three party-ready instrumental hip hop albums for new zealand’s why records label. now based from coast-to-coast (squashy nice in new york and dj t-rock in los angeles), the duo has joined the cold busted family for their fourth album, the satisfying seventeen track back to the essence. showcasing the variety and breadth that squashy nices beats and samples and dj t-rocks scratches can provide, the tracks on back to the essence swerve from party rockers to soulful, thoughtful numbers featuring vocals from new zealand vocalist miss glue. among the standouts are the opening hit the breaks, combining harmonica, 60s style fuzz guitar, heavy beats, and some crucial vocal scratches, let them be, with miss glues lovely vocals providing a counterpoint to acoustic guitar cut-ups, and watch the clouds, featuring gentle piano, a loungey string section breakdown, and wistful vocals from squashy nice. back to the essence should be ingested whole, as its plentiful tracks radiate fun, funk, and good vibes. its like a virtual block party dropping down wherever its cuts are playing.

ursprünglich als theater-musik für das anton podbevšek theatre in novo mesto in slovenien konzipiert, basiert -also sprach zarathustra- auf szenen aus friedrich nietzsches gleichnamigen philosophischen roman. für das album wurden passagen mit dem rtv slovenia symphonic orchestra aufgenommen. laibach haben in ihrer 35-jährigen kariere schon mehrfach musik für theater-produktionen eingespielt. so ist beispielsweise auf mute bereits das album -macbeth- erschienen, welches der überarbeitete score für die peter zadek inszenierung am hamburger schauspielhaus darstellt. neben instrumental-stücken sind hier auch titel enthalten, die von rezitation des sängers milan fras und dem gesang von mina Špiler getragen werden. im besten sinne: klassisch laibach!

r&s proudly presents warmth the extraordinary new album from critically acclaimed new york based duo blondes aka sam haar and zach steinman whose ten tracks of mesmerising, ever shifting rhythmic workouts percolate alongside contemporaries such as levon vincent, joey anderson and donato dozzy.

back with a renewed energy and purpose, latino-flavored rappers cypress hill climbed back into the ring for another round in the fight for hip-hop supremacy on iv, an album which is as much at home with ghetto street-kids as it is with california surfers.

the mission’s 1990 album back on 180 gram vinyl with download code included.

the mission’s 1992 album back on 180 gram vinyl with download code included.

the mission’s 1990 debut album back on 180 gram vinyl with download code included.

the mission’s 2nd album, originally released in 1988, now back on 180 gram vinyl with download code included.

camea returns with the third release on her neverwhere imprint, titled vanish , this spring. in her new single, she digs deep on her drum machine into studio 1-esque territory, using alluring classic minimal techno grooves as a back drop for her seductively soulful, selfconflicted vocals. camea not only captures a timeless micro-house vibe in this piece, but she continues to push her sound forward as well as her love for avant-guard techno. up next is delft imprint boss, la-4a, best known for his analogue vintage roland drum machine productions. he has laid down an irresistible 303 break-beat club mix of camea s track in the a2 spot. his dance cut of her vocals over bass driven percussion is a perfect counter piece to the original, and compliments the sound from his recent acid techno album phonoautograph . on the flip side, berlin techno legend and ostgut ton/berghain resident tobias. gives his graceful interpretation. he has reworked the original into a tasteful, dark, spacious 8-minute minimal techno piece, with percolating panning and filters on the vocals. as usual with tobias., he clearly conveys his undeniable expertise and instinct for exquisite dance music. with this release, camea is also marking the 2nd anniversary of her cult neverwhere radio show this spring, having produced twenty-four, two-hour episodes with exclusive dj mixes and guests. the show currently has residencies on digitally imported, tsugi radio and ibiza sonica, and camea has quickly established herself as a driving force in the left-field techno community, and a passionate advocate of underground radio.

austin-based musician eliot lipp delivers “skywave”, an album lipp has been working on for the past several months. with influences from sci-fi soundtracks and 70s and 80s funk, he channels a collection of weird, high-definition, melodic beats. in these nine songs lipp feels he “might have everything i want to say in one moment.” recreating key musical moments in a current and relatable way was the goal in producing skywave and giving himself permission to take some risks as well. with a versatile approach, lipp has created opportunities to connect with some of the artists he first looked up to, playing in cities across america and abroad always returning to his hometown in the pacific northwest. collaboration plays a role in all his albums. he’s been a fan of emancipator for a years now and was beyond excited to get his “not quite awake” remix. he asked dmc champ chris karns to scratch on ‘joyride’. in addition to doing cuts, chris ended up playing live drums and layering unique vocal samples. ‘reflection’ came from a jam session with gibbz and cherub in their nashville studio. one of lipp’s biggest musical influences last year came from a group of producers from seattle that call themselves fish tank friends. most of them had a hand in the early stages of ‘spiders’. with monthly trips planned from texas back to washington, he anticipates more evenings surrounded by friends, fans, and new listeners where he brings everyone together through the touch of a button.

taz - up deh a multi-faceted performer and songwriter, taz straddles both the hip hop world and dancehall/reggae arena. he first came to the world s attention performing alongside dizzee rascal on their just a rascal video, having co-written it and earning himself an ivor novello award into the bargain. after becoming the youngest rap artist to be signed to def jam uk in 2004, taz released his massively acclaimed analyse this album and has never looked back. after teaming up with jamaica s jazzy kitt music group, taz released up deh which was immediately snapped up by ramrock records for uk vinyl release. already getting big props on jamaican radio stations, an exclusive on ras kwame s capital xtra show, signal from original memzee and pyro radio, up deh is set to mash up the dance worldwide - trust me! camar flava - get up back seasoned reggae artist camar flava has been long established on the international music scene as a prolific performer and songwriter, recording and producing hits such as whine and twist, it s you, your body is

thelma houstons unreleased soulful aor tracks from 1980
after thelma ended her contract with motown, she went to work with terry woodford to record a set of tracks for her next album. unfortunately it didn t happened and the tracks was shelved for 36 years. until now. smooth breezy soulful aor with the wishbone inc signature sound, (byrne and barnes, robert byrnem mac mcanally and others) remastered and released on vinyl for the first time.
coverart by yoko honda
limited to 500 worldwide

>lost in love< is the first single to be taken from l-vis 1990s forthcoming debut album, neon dreams. continuing a collaborative partnership which began on last years >forever you< single, breakthrough bristol-based vocalist javeon mccarthy once again takes centre stage here. through its melodious analogue synths, infectious vocal hooks and sub-4 minute running length, >lost in love< in many ways serves as the ideal entrée to neon dreams. this is the sound of l-vis 1990 revisiting the routes of his dance music love affair. picking up his own theme from the original—the classic french bassline—l-vis 1990s neon dreams club mix pushes the low-end triumphantly to the fore. club is certainly the operative word here, feel the remixs bangalter-esque bassline drop and your minds eye fixes instinctively upon an undulating dancefloor. the night slugs allstars — l-vis 1990, bok bok, jam city — also take the floor on their version, albeit via the neon-tinged scenic route. much like the label itself, their remix is replete with colour, difficult to define and relentlessly innovative.

ltd edition 12 inch vinyl & download
following on from the success of the first astrophonica compilation, the mixmag album of the month-rated gradients, label head fracture delivers the action-packed cold & rain ep. this is fracture’s first solo ep on astrophonica and it’s been worth the wait with four tracks showcasing the londoner’s creative energy and attention to detail. as ever, the release comes packaged with artwork from utile creative. the ep is propelled by the title track, built around an irresistible vocal sample from featured artist inaya day. the original, 1997’s ‘hold your head up high’, featured day in full house diva mode delivering a positive message. for his take fracture hones in on a specific line, speeds it up, and chops it with trademark expertise until we’re left with something he admits feels a little more cold though no less powerful. propelling day’s voice forward are expertly diced breakbeats, rolling percussion, and synth stabs for a short but intense ride. completing the a side is ‘your time’, a no-nonsense rollout with 2 step drums, filtered breaks, and catchy basslines playing call and answer with gnarly melodies. you can’t put it better than the sample does: this is one for the junglistical massive.

curtains up for a new power trio: bass player massimo pupillo (zu, laniakea), drummer alexandre babel (sudden infant) and caspar brÃ&#150,tzmann on guitar. as the title -live at the candy bomber studios, vol.1- indicates, this album is the first cut from an inspired recording meeting. raw energy, full focus and three instrumentalists at the peak of their skills who blend noise rock, drone and improvisation into 2 relentless epic pieces. the line-up consists of massimo pupillo, bass player in zu, laniakeaand countless other constellations anddrummer alexandre babel who is a prolific player in the experimental / contemporary field (artistic director of swiss percussion group eklekto, member ofkammerensemble neue musik berlin, soloist and has performed a.o. with otomo yoshihide and keiji haino) and a steady member of the noise band sudden infant. and last but not least there s caspar brÃ&#150,tzmann on guitar who gainedhigh reputation as one of the most radical guitarists around, admired by acclaimed artists like thurston moore (-probably one of the best guitarists i ve ever met!-)and stephen o malley. a powerful unit, recorded live in the studio by ingo krauss who had already worked with brÃ&#150,tzmann on the caspar brÃ&#150,tzmann massaker albums -der abend der schwarzen folklore- and -koksofen-.

now that his excellent free-to-download new double album, stories from sa talaia, is out, hosh is busy releasing the tacks from it on separate eps. they come on the ibiza based diynamic associate s own fryhide label, and after part one comes part two with four more essential tracks. the first is a collaboration with tim englehardt and is a supple track laden with emotive synth patterns. it has beats that rise up and down and take you on a trip to the outer edges of the galaxy. then, ocean data is an eight minute deep techno opus with watery pads, a spacious atmosphere and icy hi hats driving things along as you get swept up in the groove. on the flipside, hosh links with lehar and they come up with the brilliant o fratello mio, a driving track with physical drums and warped synth sounds. it is filled with subtle effects that add dynamism to the moody groove and again features some magical melodic sequences. last of all, fighting the deamons is a dark and late night track sprinkled with cow bells. it s for heads down dancing on intense floors and closes out a perfect second ep.

zara mcfarlane, eine der essentiellsten neuentdeckungen des uk-soul/jazz, meldet sich mit einer limitierten heavyweight-10inch als vorbote zu ihrem neuen album zur³ck. in kollaboration mit dem gefeierten drummer und produzenten moses boyd reinterpretiert zara den meilenstein all africa aus dem album we insist!- des legendõren us-jazzmusikers max roach, einem 1960er statement zur schwarzen b³rgerrechtsbewegung.

kutmah wird anfang august sein lange erwartetes albumdebüt “the revenge of black belly button!” (oder trobbb!) via big dada veröffentlichen. mit dabei ist eine lange liste hochkarätiger gäste, darunter gonjasufi, jonwayne, natureboy flako, ta raach, jeremiah jae, zeroh, zackey force funk, n8noface, sach, akello g light und dj chris p cuts. gemeinsam erzeugen sie experimentell-medidative zen-loops, schrullig berstende beats und abstrakte raps, glasklaren punk und noise und sogar folk- und blues-inspirierte nummern.
gepriesen von flying lotus als -einer der einflussreichsten djs des beat-movements-, werden kutmahs fähigkeiten und seine vision als produzent auf “trobbb!” in den vordergrund gerückt. dabei ist das album eine äußerst sentimentale angelegenheit, die stark seine vergangenheit referenziert, aber auch der zukunft entgegenblickt.
heavyweight (180g) doppelvinyl inklusive downloadcode.

ltd re:issue ... pgh guys drop their debut album, focused on the dancefloor & sequenced for those whose favorite dancefloor is at home, putting their distinctive spin on house, techno, electro, & disco. warm, inviting, & perfect for the summer months ahead.

brian eno’s 1975 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

brian eno’s 1977 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

the mission’s 1986 debut album back on 180 gram vinyl with download code included.

das indie-americana-trio william the conqueror hat auf loose music ein neues zuhause gefunden. nun kündigt die band ihr neues album -proud disturber of the peace- an, welches anfang august erscheint. die drei multi-instrumentalisten ruarri joseph, harry harding und naomi holmes aus cornwall führen einflüsse aus klassischem blues und singer/songwriter zusammen und geben dem ganzen einen rahmen aus grunge und indie-facetten. musikalisch orientieren sie sich dabei an bands wie the doors, ryan adams und the lemmonades. -proud disturber of the peace- produzierte die band in josephs garage. ursprünglich sollten die aufnahmen auf der isle of lewis stattfinden, diese pläne wurden allerdings von einem hurrikan und damit verbundenem stromausfall durchkreuzt. in kooperation mit produzenten wie ethan johns und ryan hewitt und input von neil halstead (slowdives) entstand ein schaffensprozess, in dem die gemeinsame spontanität zusammen geführt wurde. das resultat klingt nach vereinter energie einer band, die mit sich im reinen ist und ihren gemeinsamen kreativen fluss gefunden hat. keyfacts - lp: heavyweight neon pink vinyl inklusive mp3 downloadkarte!

unter der regie von mastermind jono ma entstand das album nach über drei jahren weltweiten tourens (u.a. mit bands wie foals, the xx und tame impala) und erfüllt alle durch das gefeierte 2013er debüt -howlin - hochgesteckten erwartungen.

red axes have come a long way since the 2014 s ballad of the ice. tel-aviv, now a scene and sound that the duo were instrumental in putting on the map, has burst onto the world stage armed with limitless electronic bravado and the city s strong guitar music heritage. now, the much loved duo return, sophomore album in tow on their own label garzen records.

25th anniversary reissue of ice cube’s iconic 2nd album on double vinyl, including 3 previously unreleased tracks.

das 2013er mixtape des west coast-rappers nispey hustle erscheint erstmalig als limitiertes 180g doppelvinyl in farbe. das album erlangte 2013 nicht zuletzt große aufmerksamkeit durch nispey hustles entscheidung 1.000 limitierte cds für je 100 usd zu verkaufen, wovon jay z durch roc nation direkt 100 stück kaufen ließ. als gäste sind rick ross, slim thug, dom kennedy, james fauntleroy und viele andere vertreten.

bonobos one offs remixes & b-sides album enthält ab sofort nicht mehr den amon tobin remix.

all that funk! (officially licensed from the mighty jalapeno records) has had djs begging for a 7inch release since the first listens of basement freaks time machine lp in 2016. the wait is over and this james brown influenced groove is ready for dj’s and fans of funk alike. calling the jams is an exclusive roller skate disco boogie joint influenced by the new york city block party disco scene. the bridge will surely delight fans of early prince vibes. with a fifth full studio album, an enviable catalog of ep’s and remixes, and his extraordinary amount of time playing shows across six continents, basement freaks has been dubbed the hardest working man in funk by his peers. boogieburg proudly presents this glimpse into the world of greece and germany’s ever-evolving basement freaks. past, present, and future.

500 copies limited edition! flash forward is happy to repress one of kerri chandler s most beautiful records.first come first served ! -black vinyl label boss alan russell first met kerri when alan was writing for echoes magazine and kerri was signed (by a&r man johnnie walker) to champion records in the uk. alan was interviewing dee dee brave at a hotel in west london as part of the promotion for her album on champion which was released in 1991. alan was already familiar with kerri s work such as superlover and set if off and with his productions on movin records, so asked about kerri and when told that he was also in london as part of the dee dee s tour, the two met and began talking. kerri was slightly surprised that alan knew all of his early releases and the two bonded. they met again in new york when alan was attending the nms (precursor to the wmc in miami) and stayed in touch. years later when alan had started black vinyl the two met again and alan asked if kerri would do something for his label. kerri soon delivered a dat containing these three tracks. the track my old friend was originally titled for my old friend alan , which alan shortened so it would look better on the label! the rest, as they say, is history.-

brian eno’s 1973 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

brian eno’s 1974 album back on double vinyl, housed in a gatefold sleeve. high quality half speed mastered at abbey road studios, cut at 45rpm.

razor-sharp production of the highest order from two of the masters of the early 80’s rio de janeiro boogie sound, robson jorge and lincoln olivetti.
both were highly acclaimed music producers of the time, starting around the mid-70’s. over the course of his career olivetti worked with artists including rita lee, erasmo carlos, don beto, marcos valle, tim maia, gilberto gil, gal costa, sandra sa, painel de controle and many more.
the album takes in mid-tempo, aor, boogie and even latin all way through the tempo’s to ultra-quick prince style disco-funk workouts. includes several standout tracks – ‘aleluia’ and ’ginga’ being our two favourites. synths, horns, claps, drum machines, guitars, keys and vocal harmonies combine effortlessly.
originally released in 1982 on som livre, brazil. replica original reproduction.

grammygewinner rac veröffentlicht sein lang erwartetes neues album auf counter records!
aufgenommen in anjos heimstudio in portland und bei sessions in l.a., finden sich auf racs neuem album kollaborationen mit u.a. rivers cuomo von weezer, vampire weekends rostam, mndr, st. lucia, kna und joywave. -ego- ist anjos ambitioniertestes, geschlossenstes und persönlichstes werk und zeigt deutlich seine organische weiterentwicklung als künstler auf.
180 gramm doppelvinyl im klappcover, downloadcode inklusive. / ltd clear vinyl edition